Patrick Bowman

Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

SZA, "Go Gina" - New Jersey based R&B songstress SZA has been around for a minute on LA's TDE with plenty of great features on songs from that label's roster of top notch MCs (Kendrick Lamar, Schoolboy Q, Isaiah Rashad) and also dropping two highly regarded EPs. Her big debut record Ctrl is a massive expansion of her previous creative vision, pushing her influences, such as vulnerable indie rock and damaged art pop, outside of the usual prerequisites for an R&B record. "Go Gina" , the Martin crbbing mid album track, is a confident merging of old and new R&B worlds, as SZA shows off her song writing chops and pop sensibilities.

Smino, "Father Son Holy Smoke" - The St. Louis based rapper, who  could be considered in the same creative orbit as Chicago Mcs Noname and Chance the Rapper, dropped his heady, acid funk grooving debut full length blkswn back in March. Compared to many of the other slower, late night vibing tracks on the album,  "Father Son Holy Smoke" shows Smino switching into a higher gear, laying down rapid fire verses over the best beat on the album while still maintaining the cool air of late night, post party come down.

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Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Goldlink, "Pray Everyday (Survivor's Guilt)"Goldlink is a D.C. based rapper who specializes in making exceedingly smooth, Go-Go funk inspired hip-hop that easily slips in and out of a lot of different dance music styles. It's nice antidote to the often halting, disjointed trap music that get's a lotof attention these days. His major label debut "At What Cost" delivers on the promise on his slew of early mix tapes, and while I'd love to pick one of his more party ready tracks, the album closer "Pray Everyday (Survivor's Guilt)" shows Goldlink in a little more contemplative mood, but no less slick.


Perfume Genius, "Otherside"
Perfume Genius, aka singer songwriter Mike Haedras, just dropped his brilliant fourth album No Shape, continuing to expand his sound out from the barebones piano-driven songs he debuted with, so a symphony of synth-pop that explodes with passion, empathy, and pain. The Block Party has been giving some good burn to his first single off this record "Slip Away", but i wanted to share the track one off this album "Otherside," which actually recalls those devestating piano ballads that Haedras made his name on, while still exploding with drama and synth textures. As far as track ones go, it reminds me of one of my favorite of all time, The Cure's "Plainsong" from Disintegration."

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Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Girlpool, "123"
Girlpool is a folk-punk band from Los Angeles, CA. Its members are Cleo Tucker and Harmony Tividad. "123" The first single off of Girlpool’s 2017 LP “Powerplant”. The song deals with an interpersonal relationship that is simultaneously “toxic and loving.” The video for the song is excellent, and kind of horrifying, as it turns being awkward and insecure in the early stages of a relationship into a horror movie, but one that has a happy ending. I suggest you seek it out. It stays in the group's designated lane as very simple, almost playground indie rock, but "123" gets more expansive than they did on their debut, 2015’s great Before The World Was Big. 

Vagabon, "Embers"Vagabon is Laetitia Tamko, the Brooklyn-based musician who dropped her stunning debut album, Infinite Worlds, in February is pretty breathtaking and intimate and powerful as far as indie rock records go. And, also, Tamko is black, she was raised in Cameroon and moved to New York in her teens, first to Harlem then to suburban Yonkers. That's a big deal because the kind of music she makes, 90s tinged indie rock, is sort of infamous for having next to no artists of color. And in interviews, she's not shied away from the fact that she wants to reach women of color with her art, and invite them into a world they rarely feel welcome. "The Embers" is the first track from the new album is the best kind of loud/quiet anthemic rocker, one where Tamko parses out fragmented lyrics about feeling small in the face of a world that is so obviously and regularly predatory. She sings about surrendering her self to "the demons that carry" the people around her. She's defiant, but afraid, of the world that's looking to eat her. 

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Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Sinkane, "Passenger"Ahmed Gallab aka Sinkane just dropped his new fun as hell album Life & Livin It on February 10th, and it's just an excellent melting pot of influences and international sounds that never stops being the soundtrack to a party. Gallab was born in London, raised in Sudan, before his family took up political refuge in Provo, Utah. Over his career, he's played with Caribou and Yeasayer, and toured/ performed the music of Nigerian synth funk cult legend William Onyeabor. He's comfortable mixing and matching Krautrock with Dub and Afrobeat, and the song "Passenger"  from Life and Livin It is a perfect example of this. You can't quite put your finger on where the song is gonna go, and if you want, you could do a deep dive dissecting up the different lineages of the beats/guitars/ harmonies, or you could just bump it. He actually played Club Cafe last week. 

 Syd, "All About Me"  - Syd, is 24-year-old Sydney Bennett, the charismatic songwriter and performer at the center of R&B group the Internet, and also an affilliate/producer of the Odd Future Crew. She just dropped her major label debut curiously titled Fin a few weeks ago and it hits this awesome sweetspot between the best boundary pushing contemporary hip-hop, and a trip-hop warp records vibe that makes me feel like she'd be right at home touring along side Tricky in the 90s. "All About Me" is my favorite moment on the album, and its slinky, and smouldering and shows off Syd as resolutely confident in her vision and sound, really growing in to her own. 

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Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Little Simz, "Picture Perfect"British rapper Simbi Ajikawo, who records as Little Simz, is steadily on the up in the hip-hop world with a critically acclaimed debut album under her belt-- 2015's A Curious Tale of Trials + Persons-- and some impressive cosigns by the genre's biggest stars (reigning king MC Kendrick Lamar r said Simz “might be the illest doing it now.”) 

Now, at the beginning of 2017, Simbi has followed up A Curious Tale... with Stillness in Wonderland, a virtuoso rap odyssey that also happens to be a concept album about Alice in Wonderland. And while "Picture Perfect" isn't the trippiest song on the album, it's certainly the most fun, and shows Simbi having a blast and showing off her hook writing as well as her rhythmic, technical rapping.

 

Run The Jewels, "Down" feat. JoiRevered Atlanta-based MC Killer Mike and underground rap giant/Brooklyn-based MC and producer El-P have been collaborating under the name Run the Jewels since 2013. They released their third album RTJ3 to adoring fans on Christmas eve 2016, and like their previous two records, it's a shotgun blast of the wittiest, tightest battle rap you'll ever hear, hardened by a fiery social consciousness as well as moments of genuine reflection and heartache. This is the hip-hop we need in Trump's America.

"Down" is the track one from RTJ3 and it finds the duo taking a step back from their usual righteous fury, producing a heady groove of a song that feels like Mike and El are collecting themselves for future battle, parsing out what needs to be done and what past injustices need to be reconciled. The track sacrifices none of the trademarks that have made Run the Jewels who they are, but shows new dimensions to RTJ's formidable sound. 

 

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Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

We asked Patrick to bring in his favorites of 2016. In case you missed, it here's what Patrick played: 

 
The Avalanches, "Because I'm Me" -
The Austrailian DJ collective/electronic music group dropped their sophomore album Wildflower earlier this year, off which I shared the vibe out "Colours," in an earlier buzz session, after a 16 year wait from when their groundbreaking debut Since I Left You came out in 2000.. 

"Because I'm Me" is the album's defacto opening track, and it's almost entirely focused around one amazing calssic 70s soul sample, the track "Want Ads" by the Honey Cones, a record that has been the secret weapon of DJs for years, and while I thought it had been used more often, "Because I'm Me" is actually the biggest song it's ever been featured on. The way the Avalanches use it is just really impressive, and then they stack the deck by featuring canonical Bronx hip-hop duo Camp Lo who have made a career of sounding cool as heck over 70s soul beats...they just slide on to the track and spit gorgeous verses completly locked in with the beat...it's a thing to behold.

 

Joey Purp, Cornerstore - The centerpiece from Joey Purp's insanely impressive iidrops mixtape he dropped this summer--arugably my favorite hip-hop release of the year--which is just this almost novel, headspinning, nostalgiac, tragic, and relevant, about a life living in the west side of Chicago, one of the most violent, impoverished inner city areas in the country. Joey's verse is almost stream of consciousness and gets more and more desperate and strained as the verse goes on, almost losing his breath, his compatriot Saba, another chicago native, also mirrors Joey's verse spitting off fragmented memories of living in an area where gun violence is an every day obstacle, drug dealing/gang membership is the major means of employment, and you gotta do what you gotta do to get off the block.

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The Avalanches Joey Purp Patrick Bowman The 9:13 Buzz The Morning Mix

Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

NX Worries, "Another Time"Anderson Paak and producer Knxwledge just dropped their proper full-length as NxWorries Yes Lawd! On October 21 via esteem underground hip hop label Stones Throw. Paak has momentum after his exciting debut Malibu dropped earlier this year. "Another Time" is just a smooth neo soul song that has Paak and Knxwledge vibing deep, with the whole album in the same mindset. 

 

Lizzo, "Worship"Coconut Oil is the debut major label EP written and conducted by Minnesota-based singer-songwriter/rapper Lizzo, dropped earlier this month on Atlantic Records.  "Worship" is the lead track off the new ep and it's just this exuberant combination of rapping, singing, and fast stepping production that shows Lizzo at her most dynamic. 

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NxWorries Lizzo The 9:13 Buzz Patrick Bowman The Morning Mix

Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Joyce Manor, "Last You Heard of Me"Joyce Manor's “Last You Heard of Me,” the latest single from their upcoming fourth album Cody (out October 7) is an excellent reminder that the California based band remains the finest purveyors of emo on the planet currently. "Last Yoi Heard Of Me" is all quick set nostalgia that burns with the pants of lost youth with every down tempo guitar twang. Cody can't come soon enough.
 

Cherry Glazerr, "I Told You I'd Be With the Guys"“Told You I’d Be With the Guys,” Cherry Glazerr’s latest, is the first single for the Orange Coutny band since signing to indie rock label royalty Secretly Canadian, and sounds like a Bikini Kill track that's slowed down to a lurch and focused primarily on beating someone up. It's a great leap forward for a band who has made their name cranking out crusty So-Cal punk for a few years, and shows that they are ready for the next level.  

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The 9:13 Buzz Patrick Bowman The Morning Mix Joyce Manor Cherry Glazerr

Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Joyce Manor, "Last You Heard of Me"Joyce Manor's “Last You Heard of Me,” the latest single from their upcoming fourth album Cody (out October 7) is an excellent reminder that the California based band remains the finest purveyors of emo on the planet currently. "Last Yoi Heard Of Me" is all quick set nostalgia that burns with the pants of lost youth with every down tempo guitar twang. Cody can't come soon enough.
 

Cherry Glazerr, "I Told You I'd Be With the Guys"“Told You I’d Be With the Guys,” Cherry Glazerr’s latest, is the first single for the Orange Coutny band since signing to indie rock label royalty Secretly Canadian, and sounds like a Bikini Kill track that's slowed down to a lurch and focused primarily on beating someone up. It's a great leap forward for a band who has made their name cranking out crusty So-Cal punk for a few years, and shows that they are ready for the next level.  

Tags:

The 9:13 Buzz Patrick Bowman The Morning Mix Joyce Manor Cherry Glazerr

Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Frank Ocean, "White Ferrari" - Frank Ocean just released his hotly anticipated follow up after the generation defining Channel Orange dropped in 2012. Blonde released like most albums do these days, suddenly and online only on Saturday night August 20 after weeks, even months of speculation.

Ocean has increasingly cut the figure of a reclusive, sensitive artist, adding mystique to his loads of talent, coveted collaborator by pretty much anyone in the industry. Blonde lived up to the hype...it's deep and rich and emotional and nuanced artistically and confident and full of life. "White Ferrari" is this devastating ballad that comes late in the album and almost left me in tears the first time I heard it...Bon Iver actually appears to duet with Frank on the outro.

Blood Orange, "Augustine" - Blood Orange is Dev Hynes, a British singer, songwriter, producer, author who I've actually played on the show before about a year ago, or longer, with his track from the Palo Alto movie soundtrack. He's worked as a producer/songwriter with Kylie Minogue/Brittney Spears/and provided one of the best songs on Carly Rae Jepsen's last amazing album Emotion. He's back with his third proper record Freetown Sound, and it builds off all the things he does well, namely filtering his soulful, R&B, and jazz chops through Kate Bush inspired art pop, for this really lush, symphonic sound. It's a very personal record, wrestling with issues of race and social justice (Freetown is the name of the town in Sierra Leone where Hynes' father was born) and people consider it in the same breath as Kendrick Lamar's TPAB and D'Angelo's Black Messiah. "Augustine" is one of the album's highlights, with Hynes putting on this weird, Lynchian lounge act persona, alternating between low tenor, sing song lyrics, and a soaring chorus that sounds almost gospel-esque. 

 

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