June 2, 2017 by cindy@wyep.org

Friday mornings on WYEP, Chef Bill Fuller (Corporate Chef for big Burrito) joins Cindy Howes at 7:30am for Pairings! Bill & Cindy challenge each other to pair up your favorite music with matching menus. Let’s see what they came up with this week. Listen to the audio:

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May 31, 2017 by cindy@wyep.org

Every Wednesday at 9:13 am, one of WYEP’s trusted music experts joins me (Cindy Howes) on The Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Sarah Wardrop from WFUV in New York!

In case you missed, it here’s what she played:

Big Thief, "Shark Smile" - This Brooklyn-based band had me hooked with the title of this one, but the sound would have done it anyway. It's a great road song and even though there is an unhappy end, there are so many beautiful moments in between – from the guitar tone, to Adrianne Lenker's vocal lilt in the chorus, to the lyric, "it came over me at a bad time." Look for Big Thief's sophomore album, Capacity, out June 9.

Nicole Atkins, "Listen Up" - After a move from New Jersey to Nashville, Nicole Atkins is set to release her new album, Goodnight Rhonda Lee, on July 21. Classic country stands out in another new song that's already out ("A Little Crazy"), but this one leans soul. It's no surprise that Nicole can hold her own given all the directions her incredible voice has traveled across her catalog, but with what was apparently a live-to-tape recording process, there's a freeing energy that comes through too – in the song and in the video.

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May 26, 2017 by kyle@wyep.org

Below are the 5 key tracks that you need to know from R.E.M..

 

This band bridged the gap from the new wave era and college rock to the birth of alternative music. Their jangly southern rock sound was always present in their music, even after gaining stadium rock status in the 90's

 

  • Song: "Everybody Hurts"

  • Album: Automatic For The People
  • Year: 1992
  • Comment: Powerful song that everyone can relate to

 

 

  • Song: "Driver 8"

  • Album: Fables Of The Reconstruction
  • Year: 1985
  • Comment: Underrated Key track from an early release. One of those early MTV videos

 

 

  • Song: "Superman"

  • Album: Life's Rich Pageant
  • Year: 1986
  • Comment: Obscure cover of The Texas band 'The Clique' that R.E.M made popular.

 

 

  • Song: "Radio Song"

  • Album: Out Of Time
  • Year: 1991
  • Comment: Features KRS-One of Boogie Down Productions

 

 

  • Song: "Begin The Begin"

  • Album: Life's Rich Pageant
  • Year: 1986
  • Comment: This track kicked off side A of Lefe's Rich Pageant for our Album Side weekend.

 

 

Catch Key Tracks every weekday during the Midday Mix at 1 PM on 91.3 WYEP.

 

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Posted in
May 26, 2017 by cindy@wyep.org


Friday mornings on WYEP, Chef Bill Fuller (Corporate Chef for big Burrito) joins Cindy Howes at 7:30am for Pairings! Bill & Cindy challenge each other to pair up your favorite music with matching menus. Let’s see what they came up with this week. Listen to the audio:

Posted in
May 24, 2017 by mike@wyep.org

 

Listen to WYEP's 50th anniversary celebration of The Beatles' Sergeant Pepper's Lonely Hearts Club Band, exploring the history, impact, and legacy of the album as a whole as well as each song on it.

 

As part of our celebration of this anniversary, join WYEP for an intimate evening at Eleven on Sunday, June 11th with a culinary tour of this iconic album. All proceeds from the five-course, wine-paired dinner inspired by the album benefit WYEP. Get more info or make your reservation here.

 

 

Friday, June 2, 2017 marks the 50th anniversary of the release of The Beatles' landmark Sergeant Pepper's Lonely Hearts Club Band album in the U.S. Although nearly every aspect of the album -- from the music to the album cover to the rest of the artwork -- has become culturally iconic, let's time-travel back to a world that did not yet know any of it. Let's recall and explore the pre-Pepper state of mind.

 

The Revolver album was released in August of 1966, which The Beatles immediately followed up with their final U.S. concert tour. They concluded the tour in San Francisco's Candlestick Park, which famously became their last standard concert appearance as a band.

 

It took awhile for word to leak out to the public that the band would no longer perform live. And when it did, The Beatles' future intentions were generally misunderstood. A widely-distributed article by Tom Cullen, the European Staff Correspondent for the Newspaper Enterprise Association, declared in late November 1966, "As things stand, there is general moaning and gnashing of teeth because the fabulous foursome -- John Lennon, Paul McCartney, George Harrison and Ringo Starr -- have decided to go their separate ways."

 

 

 

While that assertion no doubt sounded dire to fans, the article admitted that "The Beatles will continue to cut records from time to time. They may even make films together." How did this square with the suggestion of a band break-up? Well, the reporter wrote, "They are unlikely ever to tour again as a group, and personal appearances are considered to be the lifeblood of popularity in the pop world."

 

And yet, even around the time this article was being read by disappointed fans around the country, The Beatles had already regrouped and were recording music for their next album. On November 24th, the band had convened at EMI Studios in London to begin work on their follow-up to Revolver. They began with "Strawberry Fields Forever," and would also be diligently working on  "When I'm Sixty-Four" and "Penny Lane" before the year was out. (Even though "Strawberry Fields Forever" and "Penny Lane" were issued as a single and not included on the eventual album, that was not the plan as work on the next album began.)

 

On January 22, 1967, the London Sunday Times ran a Paul quote that again suggested that band had broken up: "Now we're ready to go our own ways. We'll work together if we miss each other. Then it'll be hobby work. It's good for us to go it alone." When asked about his new moustache, Paul responded along the same lines: "It's part of breaking up The Beatles. I no longer believe in the image. I'm no longer one of the four mop-tops."

 

It seems like odd comments to make, as The Beatles had been hard at work recording "A Day in the Life" during the previous week. It does, however, add context to the personification of another musical group that would be somewhat of an organizing principle for Sergeant Pepper's Lonely Hearts Club Band and its usage of Beatlemania-era wax statues of themselves in the cover photo.

 

To reassure everyone that The Beatles were marching steadily on, the very next day (January 23rd) a band spokesman rushed out the news that a fresh single, featuring "Penny Lane" and "Strawberry Fields Forever," was planned for a February 17 release in the United Kingdom and somewhere around that date in the U.S., as well.

 

Further, a United Press International wire service report informed the public that "The Beatles are now working on another 12 numbers for their next album, to be released sometime in the spring, along with a one-hour television spectacular of their own centered on the recording."

 

A Honolulu DJ and newspaper columnist named Dave Donnelly (whom I will refer to multiple times due to the very interesting information about which he wrote) observed wryly in a February 1 column, "All of the premature talk of the Beatles breaking up is going to do wonders for their upcoming single." He also shared with his readers that "The Beatles -- for all the rumors and press agentry -- have been busy recording. And recording perfectionists they are, too. Brian Epstein, Beatle boss, reports that their new record is 'just superb.' The question is, for the Beatles, is 'superb' good enough"?

 

Two days later, Donnelly debuted the new Beatles single to his radio listeners and subsequently shared these observations in print:

 

As expected, it's strange. Accompanied by double string quartet plus harpsichord, the Liverpudlians have outdone themselves musically. There's even a brass section, and on Penny Lane, a wild trumpet solo. Strawberry Fields Forever is over four minutes long, and the ending is too much. It's going to take several listenings to really hear what's happening. With the Beatles world wide popularity, and with rumors of a split, this may be the record to knock off the Monkees.

 

(The Monkees' "I'm a Believer" was currently reigning supreme on pop charts both sides of the Atlantic.)

 

The single made one Massachusetts music columnist excited for the announced next album. "Be on the look out for the next Beatle's [sic] album," she wrote. "It's scheduled to be released in early spring. I'm hoping that they keep the 'Strawberry Fields Forever' theme throughout the album since this is the best material they've ever created. In any event, it will be interesting as usual to see what they do come up with."

 

Others were still confused about the band's future. In a "Platter Chatter" column in a Van Nuys, CA, newspaper, the writer declared, " 'Strawberry Fields Forever' may be the last record for the Beatles, since they are due to pursue their own careers sometime in the immediate future."

 

Honolulu's plugged-in Dave Donnelly wrote on March 11, "A one hour special is being filmed in conjunction with the release of the new Beatle album, tracks of which the Beatles are now recording." He continued,

 

Typical of the film is a recent session at the E.M.I. Records studio in London. There were 41 of the Great Britain's finest classical musicians in formal evening dress. They are backing the Beatles on at least one track in the new album. Also seen (besides the Beatles and their wives) will be Mick Jagger and Marianne Faithful, Donovan and Gipsy Dave, Keith Richard and Monkee Mike Nesmith (who just happened to be in town). There were seven cameras handy, and any of the guests could film away to their heart's delight. Apparently some daring film editor will try to construct something out of the madness, but the results may prove surprising. The new album certainly will.

 

The earliest indication I've been able to locate of the title of the Fab Four's next album was from April 14, in the Ottawa Journal:

 

Would you believe "Sgt. Pepper's Lonely Hearts Club Band?" That, my friends, is the title of the next album by The Beatles. The LP, which so far has taken seven months to record, is almost finished. Among the tracks are "When I'm 64," a novelty number in the early phonograph style featuring Paul McCartney; "A Day in the Life," a John Lennon solo in which he is backed by a 41-piece orchestra; "Good Morning, Good Morning," John and Paul dueting with musical accompaniment from Sounds Incorporated; "She's Leaving Home," arranged by Mike Leander and using string; and "Sergeant Pepper's Blues." "Meter Rita," is another John Lennon solo incorporating three four-track machines which took a month to prepare. Another gimmick of the number is a comb and paper played backwards! The uncompleted tracks are a George Harrison composition which he sings accompanied by Indian instrumentation; and Ringo's solo which hasn't yet been written. The album won't include 12 tracks since some of the numbers are of considerable length. It will be released in May.

 

 

(In fact, Ringo's solo -- "With a Little Help From My Friends" -- was not only already written but had been recorded on March 29th and 30th. "Within You Without You" had also already been completed in early April.)

 

While the title of "Lovely Rita" was misreported and it's unclear to what "Sergeant Pepper's Blues" was referring, the brief album overview is fairly accurate. The intrepid Dave Donnelly relayed much of the same information to his readers the following day, although he had one Lennon song listed as "Good Morning Good Morning Good Morning," and mentioned that "Both sides of the current ["Strawberry Fields Forever"/"Penny Lane"] single may be included."

 

On April 21, the Detroit Free Press cautioned fans to remain patient. "Although the Beatles' album is scheduled for May release there may be a delay since they want to add pictures and souvenirs to make it into a deluxe package," it reported.

 

While, famously, no single was released from the Sergeant Pepper album ("Strawberry Fields Forever" and "Penny Lane" were excised from the album after they were issued as a 45), some advance music did leak out. Dave Donnelly in Honolulu was playing one song from the album on his KPOI radio show and he discussed it in his April 22 column in the Honolulu Star-Bulletin.

 

The new Beatle song which has been receiving much airplay is called A Day in the Life, and features John Lennon and a 41 piece orchestra. It's a fantastic record, and far removed from their earlier I Wanna Hold your Hand efforts. The song, which easily fits into the category of "pot pop," will included in the next Beatle album, "Sergeant Pepper's Lonely Hearts Club Band." The L.P. won't be released for several weeks, due to problems with the album jacket. If this track is any indication of what the rest of the album is going to be like, and it probably is, then the L.P. could be the wildest pop album ever made by a name group. Flash: The new Beatle single will be called L.S. Mummble-Bee and sounds like a take off on the old Lucky Strike commercials, with psychedelic overtones.

 

This final detail, about the new single by The Beatles, was inaccurate. "Capitol is pretty annoyed at tapes being played of what is supposed to be a new Beatle single," said The Ottawa Journal on May 5. "The wax most stations are playing does come from the new Beatles album" -- presumably referring to the recording of "A Day in the Life" as mentioned by Donnelly -- "and was in all probability stolen from EMI. But the flipside most uninformed deejays are touting as The Beatles isn't the Beatles at all but a British comedy duo called Dudley Moore and Peter Cook."

 

Oops. The "L.S. Bumble Bee" was its correct title and was a then-new single by Moore and Cook satirizing psychedelia in general with a nod towards the Beach Boys specifically.

 

However, it was true that tapes of Sergeant Pepper's Lonely Hearts Club Band had "leaked" to some radio stations. (A common enough occurrence in the internet age, but also not unheard of 50 years ago.) Donnelly reported in a later column that, according to a legal representative from The Beatles' U.S. label, "several copies apparently had been made from the originally pilfered one and came into the hands of about a half dozen stations across the country, all of which have now agreed to stop playing the album. One Los Angeles station needed a court suit to be persuaded, but others of us were more easily convinced."

 

Donnelly further editorialized:

While it is our opinion that two weeks of heavy air promotion for the album would be beneficial to later sales, the men at Capitol (who after all own the album and have not authorized its release) think otherwise.... Without a doubt, the Capitol decision makers underestimate both the public and the album in question. "Sgt. Pepper" will not only become the probably best selling album of 1967 (despite the furor over premature release) but will make a kind of milestone in pop music. From the psychedelic overtones of "A Day in the Life Of..." to the 1930's spoofing of "When I'm 64" to the lyrical and musical beauty of "She's Leaving Home" which is probably the finest single recording ever made by the Beatles or anybody else in the pop field for that matter.... There are no traditional "pop" songs in the album, no conservative cop outs to youth. This is a package for the musically mature, and we can only wait patiently until the album cover problems are overcome and the ban is lifted before once again dishing up the fantastic Beatles in their most fantastic venture to date. 

 

Prophetic words, as it turned out.

 

Meanwhile, back on April 27, The Guardian in England published a preview of the forthcoming album from a highbrow musical perspective:

 

Stockhausen is one of the improbably, if conscious, influences on the Beatles' latest LP, "Sergeant Pepper's Lonely Hearts Club Band," due to be issued on May 19. The last LP, "Revolver," issued last summer, pointed the way to avant-garde influence, but according to George Martin, the Beatles' recording manager, this one goes much farther towards abstract music, and there are "lots of odd accompaniments." The influence of Eastern music is again important (George Harrison rehearsed a full five-piece Indian group for one track) and all these developments reflect much more sophisticated musical taste in the moustachioed period. The odd title of the record is simply that of the first number.

 

Dave Donnelly heard the influence of drugs in the new album, as written in his May 6 column:

 

The new pop lyrics are reflecting the influence of drugs on young people. Witness "A Day in the Life" by the Beatles. And another cut from the forthcoming Beatle album, "Sergeant Pepper's Lonely Hearts Club Band," contains the lyrics "forty thousand purple holes in my arm." These are the cleanies -- the Beatles. Wonder what the new album by the baddies -- the Rolling Stones -- will be like.

 

One can only assume his "purple holes" line is a mangling of "four thousand holes in Blackburn, Lancashire" from "A Day in the Life," despite the suggestion that it is from a different song.

 

Donnelly also broke the news of the album's track listing on May 17, and while it turned out to be inaccurate, it remains a fascinating (if perplexing) running order for the album:

 

1 - SGT. PEPPER'S LONELY HEARTS CLUB BAND, sung by Paul

2 - LOVELY RITA, sung by Paul

3 - GOOD MORNING, GOOD MORNING, GOOD MORNING, sung by John

4 - WHEN I'M 64, sung by Paul

5 - A DAY IN THE LIFE OF..., sung by Paul and John

6 - SHE'S LEAVING HOME, sung by Paul and John

7 - FIXING A HOLE, sung by Paul

8 - GETTIN' BETTER, sung by Paul

9 - WITHIN YOU - WITHOUT YOU, sung by George and at 5:11 is the longest Beatle song to date.

10 - LUCY IN THE SKY WITH DIAMONDS, sung by John

11 - BEING FOR THE BENEFIT OF MR. KITE, sung by John

12 - SGT. PEPPER'S LONELY HEARTS CLUB BAND (Reprise), sung by Paul

13 - WITH A LITTLE HELP FROM MY FRIENDS, sung by Ringo

 

Donnelly also reported that the release date had been pushed back to June 1, and that the cover art was causing the delay. "It's a complicated fold out affair," he wrote about the cover, "not unlike those in children's books and valentines, so we won't be able to do it justice by printing a picture of it."

 

An unrelated article in The Honolulu Advertiser later described the album's bonus elements. "Naturally, the musical contents (now silenced because of legal action by the recording firms) are explosive. But wait until you see the double-wallet cover. It will include four pages of Beatle pics, words of all songs (hurray! a first!), a postcard of Sgt. Pepper, a cut-out moustache for fan use, two badges, a pair of sergeant stripes, a stand-up photo of the four fellas dressed like members of Sgt. Pepper's Band. It's like Christmas coming early."

 

The London Times news service further discussed the album's cover in an article titled "Way-Out Record Cover Due for Beatles' Next LP":

 

EMI, naturally enough, has been a bit worried about the expense of publishing the cover. "The art work alone cost 50 times more than the art work on a normal LP," says Sir Joseph Lockwood, chairman of EMI. "But it's their best ever record and I hope we'll sell about seven million. I'm sure everyone will want one as a unique souvenir.

 

The Times also discussed the array of famous faces used on the cover photo.

 

It is all very harmless and nobody could possibly object to anything, but EMI has been a bit upset. It made them take Gandhi's face out, just in case anyone would think the Beatles were attacking him in some way. "there are millions of people in India who might be offended," says Sir Joseph.

 

"We simply had the idea of Sergeant Pepper," says Paul Mccartney. "He is a mythical band leader, and this is the record of his show, plus the sort of hand-out material he would give out."

 

"He would be a cult figure and he would have pictures of other cult figures in the background. We chose people who are our heroes. The trouble is, people start looking for deep psychological reasons, and of course they find them."

 

On May 20, the Michigan newspaper The Battle Creek Enquirer ran a feature on The Turtles ("Turtles Explain Why They Are 'Happy Together' ") in which it was revealed that the Los Angeles group had gotten their hands on an advance copy of the Sergeant Pepper's LP. "The new Beatle album, not yet on release, was discussed by members of the group," reported the Enquirer, "who were sent an advance copy. Howard [Kaylan] describes some of the cuts on it as being 'the most completely psychedelic songs I've ever heard.' "

 

 

That same day, the Associated Press distributed a story that the BBC had decided to ban "A Day in the Life" from U.K. airwaves. The story explained that,

 

The Beatles criticized the ban Friday night at a dinner party at the home of their manager, Brian Epstein, to celebrate the release of the new album, scheduled for June 1. McCartney said "The BBC have misinterpreted the song. It has nothing to do with drug taking. It's only about a dream."

 

"The laugh is that Paul and I wrote this song from a headline in a newspaper. It's about a crash and its victim," said Lennon.

 

"How anyone can read drugs into it is beyond me. Everyone seems to be falling overboard to see the word drug in the most innocent of phrases."

 

For their part, the BBC spokesperson was quoted as saying, "We have listened to this song over and over again. And we have decided that it appears to go just a little too far, and could encourage a permissive attitude to drug taking."

 

As the release date neared, the London Times reviewed the album on May 29, giving a rundown of the then-current pop scene and then scanning through Sgt. Pepper's track listing:

 

Fixing a hole is cool, anti-romantic, harmonically a little like the earlier Yesterday and Michelle; She's leaving home is a slow waltz reminiscent of old musical comedy but with a classically slanted accompaniment for harp and string quartet, and with ironical words about a minor domestic tragedy (the text, which are of consistently lively poetic interest, are printed in full on the back cover). There is a neat vaudeville number, When I'm 64, which comments pointedly on this old-time vogue and its relevance for modern beat song. George Harrison's Within you without you carried the manner of Indian music farther into pop that ever before.... Psychedelia can be diagnosed in the fanciful lyric and intriguing asymmetrical music of Lucy in the sky, as well as the sound effects of Lovely Rita (she is a parking meter warden), and the hurricane glissandi of A day in the life which has been banned by the B.B.C. for its ambivalent references to drug-taking.... I greatly enjoy the five-bar phrases of Good Morning Good Morning which is something like a novelty number; and the tidy simplicity and shapely bass-line of A little help from my friends, the only track that would have been conceivable in pop songs five years ago. Any of these songs is more genuinely creative than anything currently to be heard on pop radio stations.

 

Finally, on Tuesday, May 30th, with the U.S. release of the album imminent on June 2, 1967, Harold V. Cohen ran a brief item in his "At Random" column in the Pittsburgh Post-Gazette: "Aside to the John-Paul-George-Ringo Cult: B-Day is Friday. That's when the new Beatles album comes out."

 

The rest is history.

 

 

 

 

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May 24, 2017 by cindy@wyep.org


Every Wednesday at 9:13 am, one of Pittsburgh’s finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Tady!

In case you missed it here’s what he played with commentary by Scott:

Grizzly  Bear, "Mourning Sound" - The second single from the eagerly awaited new release by the dependable Brooklyn indie-rock band. A thick bass line, harpsichord, synth drums and dual vocals from Ed Droste and Dan Rossen, are part of the entrancing, multi-textured sound. The lyrics are about love aging, burning out then dying. The opening verse: I made a mistake/I should have never tried/I took the cake/Thinning every slice/I moved away/Still playing off the fights... Alright, you won't be hearing this one at any summer weddings.

Kids on Bridges, "Just Because You Can" - A danceable track from a fresh Liverpool trio -- (The Fab Three?) -- that's opened shows for Beck and Calvin Harris. Their album comes out June 23, featuring bassist Jennie Vee from Eagles of Death Metal on a number of tracks. This is the single, which tips a hat to the Rolling Stones with a groove near the end that's straight out of "Undercover of The Night."

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May 19, 2017 by mike@wyep.org

Starting at 1 PM on Friday, May 26, WYEP will kick off an Album Sides Weekend. Every hour will start with the songs that represent one "side" of an album. We'll continue all weekend and on through the Monday holiday. WYEP's weekend specialty shows will be a part of the fun, showcasing great album sides from their genres as well.

 

Since the dawn of the CD era (and continuing into the digital world), albums have been primarily one single playlist produced by an artist. In the analog world of vinyl (and cassettes!), however, albums are divided into smaller, bite-sized chunks of sides. Sometimes one side of an album features an amazing group of 4 or 5 or 6 songs that make for a brilliant listening experience.

 

We're combing through our library to find the best album sides we can find, from classic 1960s albums that had only a vinyl LP originally, to recent albums that are released simultaneously on vinyl, CD, and as digital streams.

 

If you know of great album sides that you want to suggest that we should play during Memorial Day weekend, please do! Tweet at us, post on our Facebook wall, email us, call us - just be sure to let us know the artist, the album, and don't forget which side you want to suggest.

 

And listen to WYEP from 1 PM Friday 5/26 through midnight Monday 5/29 to hear plenty of terrific album sides.

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May 19, 2017 by cindy@wyep.org

Friday mornings on WYEP, Chef Bill Fuller (Corporate Chef for big Burrito) joins Cindy Howes at 7:30am for Pairings! Bill & Cindy challenge each other to pair up your favorite music with matching menus. Let’s see what they came up with this week. Listen to the audio: 

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May 17, 2017 by cindy@wyep.org

Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Patrick Bowman!

In case you missed, it here's what Patrick played: 

Goldlink, "Pray Everyday (Survivor's Guilt)"Goldlink is a D.C. based rapper who specializes in making exceedingly smooth, Go-Go funk inspired hip-hop that easily slips in and out of a lot of different dance music styles. It's nice antidote to the often halting, disjointed trap music that get's a lotof attention these days. His major label debut "At What Cost" delivers on the promise on his slew of early mix tapes, and while I'd love to pick one of his more party ready tracks, the album closer "Pray Everyday (Survivor's Guilt)" shows Goldlink in a little more contemplative mood, but no less slick.


Perfume Genius, "Otherside"
Perfume Genius, aka singer songwriter Mike Haedras, just dropped his brilliant fourth album No Shape, continuing to expand his sound out from the barebones piano-driven songs he debuted with, so a symphony of synth-pop that explodes with passion, empathy, and pain. The Block Party has been giving some good burn to his first single off this record "Slip Away", but i wanted to share the track one off this album "Otherside," which actually recalls those devestating piano ballads that Haedras made his name on, while still exploding with drama and synth textures. As far as track ones go, it reminds me of one of my favorite of all time, The Cure's "Plainsong" from Disintegration."

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May 12, 2017 by cindy@wyep.org

Friday mornings on WYEP, Chef Bill Fuller (Corporate Chef for big Burrito) joins Cindy Howes at 7:30am for Pairings! Bill & Cindy challenge each other to pair up your favorite music with matching menus. Let’s see what they came up with this week. Listen to the audio: 

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May 10, 2017 by cindy@wyep.org

 
Every Wednesday at 9:13 am, one of WYEP’s trusted music experts joins me (Cindy Howes) on The Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Jess Phaneuf from WUMB in Boston!

In case you missed it, here's what Jess played:

Rufus Wainwright, "Signed Sealed Delivered I'm Yours" - Sometimes hearing a unique cover of a familiar song will breathe a whole new life into it. I love the way Rufus Wainwright makes this tune completely his own. This was a single he did to contribute to a Stevie Wonder tribute earlier this year.

Ron Sexsmith, "Radio" - Here's an artist who I think is often overlooked ...he's a very talented songwriter and quite frequently he creates such contagiously fun music. Like this song for example! Off his new record - The Last Rider.

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May 5, 2017 by mike@wyep.org

Over the past week, WYEP solicited listeners to vote for the Worst Song Ever and listeners chose the 1974 hit "(You're) Having My Baby" by Paul Anka and Odia Coates to top the list. Despite being a #1 hit on the pop charts, the song has always had its detractors.

 

Following closely behind Anka was the 2005 rock hit “Photograph” by Nickelback, proving that songs that repel listeners are not limited to any one era or genre. The complete list of finalists is below.

 

All music is subjective, of course, and just about any song of note will attract a mix of admirers and haters. Some surprising songs were nominated by listeners to be included for consideration in the Worst Song Ever voting, including widely-acclaimed songs such as John Lennon’s “Imagine,” “Brown Eyed Girl” by Van Morrison, Joni Mitchell’s “Coyote,”  and “Sledgehammer” by Peter Gabriel.

 

After analyzing all of the songs nominated by listeners, the year with more nominees than any other was 1976. That year produced three finalists: "Disco Duck" by Rick Dees, Starland Vocal Band's "Afternoon Delight," and "Silly Love Song" by Paul McCartney & Wings. It also featured other contenders like "Muskrat Love" by The Captain & Tennille and Elton John & Kiki Dee's "Don't Go Breaking My Heart."

 

The next biggest years with song nominations were 1983 (Styx, "Mr. Roboto"; Def Leppard, "Rock Of Ages"; Jackson Browne, "Lawyers in Love") and 1999 (Lou Bega, "Mambo No. 5"; Sugar Ray, "Someday"; Pearl Jam, "Last Kiss"), which illustrates that there appears to be a focal point of shame for each era of music.

 

And now on with the worst of the worst....
 

How the Finalists Ranked:

 

#20 - Chicago, "You're the Inspiration" (1984)

#19 - Paul McCartney & Wings, "Silly Love Songs" (1976)

#19 - REO Speedwagon, "Keep On Loving You" (1980)

#17 - Richard Harris, "MacArthur Park" (1968)

#16 - Cher, "Believe" (1998)

#16 - Styx, "Mr. Roboto" (1983)

#15 - 4 Non Blondes, "What's Up?" (1992)

#13 - Chumbawamba, "Tubthumping" (1997)

#12 - Starland Vocal Band, "Afternoon Delight" (1976)

#11 - Jimmy Buffett, "Cheeseburger in Paradise" (1978)

#10 - Phil Collins, "Sussudio" (1985)

#9 - The Beach Boys, "Kokomo" (1988)

#8 - Lou Bega, "Mambo No. 5 (A Little Bit of...)" (1999)

#7 - Debby Boone, "You Light Up My Life" (1977)

#6 - Starship, "We Built This City" (1985)

#5 - Billy Ray Cyrus, "Achy Break Heart" (1992)

#4 - Rick Dees, "Disco Duck" (1976)

#3 - Rebecca Black, "Friday" (2011)

#2 - Nickelback, "Photograph" (2005)

#1 - Paul Anka and Odia Coates, "(You're) Having My Baby" (1974)

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May 5, 2017 by kyle@wyep.org

Below are the 5 key tracks that you need to know from Elliot Smith.

 

Elliott Smith was an indie folk and rock musician. There was a recent reiussue of his record Either/or to commemorate it's 20th anniversary. Elliott Smith passed away in 2003.

 

  • Song: "I Figured You Out"

  • Album: Either/Or reissue
  • Year: 2017
  • Comment: recorded in 1995 and just released for the first time on 20th Anniversary of Either/Or release

 

 

  • Song: "Baby Britain"

  • Album: XO
  • Year: 1998
  • Comment: Well constructed Beatlesque pop song

 

 

  • Song: "Miss Misery"

  • Album: Sound Track to Good Will Hunting
  • Year: 1997
  • Comment: From closing credits of 'Good Will Hunting'

 

 

  • Song: "Son Of Sam"

  • Album: Figure 8
  • Year: 2000
  • Comment: The song was not about the real life "Son of Sam"

 

 

  • Song: "Walt #2 (X/O)"

  • Album: XO
  • Year: 1998
  • Comment: This was the first single from his fourth studio album

 

 

Catch Key Tracks every weekday during the Midday Mix at 1 PM on 91.3 WYEP.

 

Posted in
May 5, 2017 by cindy@wyep.org

Friday mornings on WYEP, Chef Bill Fuller (Corporate Chef for big Burrito) joins Cindy Howes at 7:30am for Pairings! Bill & Cindy challenge each other to pair up your favorite music with matching menus. Let’s see what they came up with this week. Listen to the audio: 

Posted in
May 3, 2017 by cindy@wyep.org

1buzz_web 
Every Wednesday at 9:13 am, one of our most trusted music aficionados joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Justin Jacobs

In case you missed it, here's what Justin played (commentary by JJ):

Alex G, "Proud" - We all know Pittsburgh's got some incredible music, but boy-o is Philly killing it! Alex G is a former Temple University student who's been quietly releasing beautifully noisy lo-fi indie rock for the past few years. But after he released Beach Music last year, then got drafted to work on Frank Ocean's Blonde, his profile rose quickly. This new tune is from his upcoming album Rocket, a gorgeous collection of country-folk he recorded, amazingly, on his laptop.

Eric Slick, "You Are Not Your Mind" - Philly strikes again! This song is the new single from the drummer of Dr. Dog, one of that city's finest rock bands. It's a decidedly dreamy tune from his debut solo album Palisades. The record isn't as quirky and clever as Dr. Dog, but Slick's solo music is almost meditative in it's melodic simplicity. If you're a true Pennsylvanian, you're going to love it. 

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