What a treat: two hours of stories and music from Colin Hay on Tuesday night.
There may have been more stories than music from this singer-songwriter, who was born in Scotland, moved to Australia and now calls California home. He came to the Rex Theater alone, not only reminding us of his success with Men at Work, but also of his body of music as a solo artist. Between sipping water and changing guitars were the stories of his father, touring with Ringo Starr, meeting Paul McCartney, Men at Work supporting Fleetwood Mac, writing Men at Work songs, and even goats. There was some music too, in between the banter. The title track of his most recent CD Gathering Field began the set. The title track of his 2nd CD Wayfaring Sons and his 5th album Transcendental Highway, with a track from his 3rd CD Into the Cornfields. In the early 1980's we probably would not have appreciated hearing acoustic versions of Down Under, Who Can It Be Now? and Overkill but the songs have aged very well. Another new song Invisible. Also Beautiful World and Waiting For My Real Life To Begin, which he gently reminded us was now 17 years old. The evening ended with Kool & the Gang's Celebration playing over the speakers. To really appreciate that song, you would have had to be there to hear that story.
Opening was Chris Trapper, out of Boston, MA. You may know him as the leader of The Push Stars. I came in near the end of his set as he was introducing a song which he had written in Pittsburgh. He ended with a song he wrote for his parent's 50th wedding anniversary.
Barb S. - Sunday Mix Host
Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Justin Jacobs, contributing writer to Billboard Magazine and Relix Magazine In case you missed it here's what he played (plus a bonus song): Black Lips, "Modern Art" - This is the first cut from this Atlanta punk band's new record, Arabia Mountain, which was produced by Mark Ronson. It's a true story about the band taking ketamine and walking through a Salvador Dali museum in Spain. Not sure if that sounds fun to you, but the song certainly is. This band is pure rock'n'roll - sloppy, catchy, danceable, dangerous, fun. The album's out next month, and it is amazing. US Royalty, "Equestrian" - Weird name for a song, but somehow fitting — the tune sounds like some majestic ride down a mountain on a horse, probably during a windy day, possibly while wearing a crown or something. Either way, it's a perfect cross between Fleet Foxes, Local Natives and the Black Keys. The D.C. band's most recent album, Mirrors, came out just last month. Girls in Trouble, "Lemons" - This act got its start writing songs about girls in trouble... girls from the bible, that is. That narrative continues on Half You Half Me, out May 17 on JDub, the sophomore album from Alicia Jo Rabins' band featuring the bassist of Old Time Relijun. The record's no Sunday school affair, though. It's a string-driven, haunting folk record topped with Rabin's plaintive voice and poetic lyrics. Slip it to your rabbi; he'll be exponentially cooler.
Every Wednesday at 9:13 am, one of Pittsburgh's finest music writers joins me (Cindy Howes) on the Morning Mix to play a couple favorite new songs and share some insight. Today we welcome Scott Mervis of The Pittsburgh Post-Gazette In case you missed it here's what he played with commentary by Scott: Kurt Vile, "Runner's Up" - If the Rolling Stones made a lo-fi album, and let's hope they do, it might sound something like this. This hazy, psych-rock song comes from the Philly singer-guitarist's fourth album, "Smoke Ring for My Halo," his most focused record yet. "I was definitely going for a more cohesive record," he told me last month. "I always go for that. I guess my mind jumps around a little." TV on the Radio, “Caffeinated Consciousness” - The trailblazing Brooklyn art-funk-noise band has moved on from its early apocalyptic phase and settled into a warmer, mellower groove on the new album, “Nine Types of Light.” It becomes a great showcase for the bottomless soul of front men Tunde Adebimpe and Kyp Malone, both former Pittsburghers. This is one of the more fiery tracks, flashing some rap-rock bombast.
The Low Anthem covers Wilco The Low Anthem's Smart Flesh is out now on Nonesuch.